Epson exhibition fiber photo paper review
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Yes Resistance to Water: WIR implements the industry accepted methodology for determining lightfastness. It contains a file called SP EFP PK v1.
The Luster is a good paper, but it is a lot more flimsy than EFP. I know most of the Baryta papers are fairly similiar, but I'm a fan of deep, midnight blacks and for that reason can't use matte papers. Another major disadvantage is that I have never epson exhibition fiber photo paper review totally in love with the surface of this paper. With that in mind, PHOTO Techniques asked some of our regular contributors what their favorite inkjet papers are. It has been suggested by R. We should be very thankful to all those involved for being kind enough to post these profiles for free. This is clearly a marketing decision to push the price envelope as high as possible. One of the major changes with the development of Inkjet technology has been a veritable explosion of choices in printing papers and other printing materials.
What this graph is should abortion be legal persuasive essay about is that this is a well balanced profile i. Watch in HD for best results ColorByte ImagePrint 8. This yields the results closest to the Epson profile. This is a good general purpose profile for mixed lighting conditions. This is my preferred profile for this photo. Master printers interviewed on this blog who recommend this paper As of August 20th,the following master printers featured on this blog had this to say about this paper: It is the best looking paper for black and white, to my eye.
It has been suggested by R. Mac Holbert and others that you can use Epson Ultra Premium Photo Paper Luster for your test prints, and I agree. This allowed me to fine tune my print with cheaper paper, so that when I was ready to print the final image all I had to do was put the correct paper in the printer and I was good to go.
- This is something very important for my big prints and varies with subject matter, print size and where the prints are destined to hang.
- Given their resistance to the deleterious effects of high humidity, plus their enhanced Dmax, reduced metamerism color trueness and neutral grayscale tones , and overall stability, these inks are key to print longevity.
- What this graph is showing is that this is a well balanced profile i.
However, I would recommend that practice just to be on the safe side. Adobe Photoshop CS4 on Microsoft Windows 7 Color Print Usage Walkthrough In this example, I use the Outback Print Printer Evaluation Image to print from Adobe Photoshop CS4 These dialogs should be roughly the same for any version of Windows, and on the Mac the Epson driver will look like the one shown down below in the Lightroom example.
Please click the images for a larger view: LEVEL 5 Quality — The paper profile is optimized for this resolution. In a future article I will show how the only penalty is speed 2x slower as the ink usage and cost between and is insignificant.
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Off No Color Adjustment — I let Photoshop manage the color using the paper profile provided by Epson mentioned earlier rather than using the driver itself Both yield good results, but I prefer the Epson profile. Manual — Rear — This is a thick fine art paper, so I recommend using the rear tray and loading it manually one sheet at a time You can ignore the rest of the settings on the dialogs shown above as they were specific to my print job. You should adjust each to match the needs of your print job.
- Sharpness was very impressive.
- If you use the links provided in this article to make a purchase, I may get a commission.
- It contains a file called SP EFP PK v1.
When clicking on the Paper Config… button you are presented with the default media type values as shown above. Your experience may differ so if you get head strikes or banding, try this option first. In Photoshop I used the Epson profile mentioned earlier and printed the test image using both rendering intents. After carefully evaluating the two prints under a GTI PDVExessay about internet security personal preference sizes majhi aai essay in marathi language your the Relative Colormetric as the blue tones in the sky gradient was slightly better.
There were no drastic differences, so either is fine.
Both went to 8 for the black blocks on the bottom and for the white, but Perceptual did seem to show a faint sign of the block. This is a subjective test though so you may want to do your own personal testing while softpoofing to see which rendering intent matches your preference.
Adobe Lightroom 2 on Apple Mac OS X Color Print Usage Walkthrough In this example, I use the Outback Print Printer Evaluation Image to print from Adobe Photoshop Lightroom 2.
The same identical concepts in Lightroom apply to a Windows based system but the Epson driver will look like the one shown above in the Windows example. This will display the paper profiles dialog, which should look similar to what you see below if you have installed your profiles properly: When you choose Ok, make sure the correct Epson profile is selected in this case its SP EFP PK v1.
All images are clickable for a larger version The settings I used read more this print job are as follows: Unchecked - Draft mode printing should usually be unchecked as it will not yield accurate results Print Resolution: Scott Kelby recommends using High, and generally speaking I agree.
For this test pattern I meant to set it to Off, but forgot so for the whole series I will always use these settings — even on Matte media types just for print to print consistency. Glossy - This is a glossy paper so I chose the Glossy media type. At the bottom left pane of Lightroom not shown there is a Page Setup… button. You must click this button to select the correct paper size and tray on the Mac. In Paper size click on the list and choose your paper size NOTE: From there you must choose from another fly out menu ugh and be sure to select both the paper size AND the tray.
Generally speaking, the only page setup changes you should ever have to make are selecting the right printer in Format for above an the paper size. Now if you choose the Print Settings… from the bottom of the left pane to the right of Page Setup… or the Print…. The only difference between the buttons is that the one on the left will just change your print settings and not print and the one on the right will send the job to the printer when you click okay. The most important page in the Print dialog is the Printer Settings page as shown above.
Page setup should also say Manual — Rear for this paper and can only be changed via the previously mentioned Page Setup… button. Here are the settings I use for the basic section shown above: Ultra Premium Click Paper Luster - As mentioned in the Photoshop section, there is no media type for this paper. Print Mode Mac Only: AccuPhoto HD2 — Always use this value bit Output Mac Only: Checked — Always checked Output Resolution: I do have examples where the quality improvement has been verified by multiple sources in blind tests, so it is my preference to always choose x L5 output resolution.
Off No Color Adjustment — I let Lightroom manage the color using the paper profile provided by Epson mentioned earlier rather than using the driver itself. Both yield good results, but I prefer the Epson profile. Unchecked — User preference Finest Detail: Unchecked — Always leave unchecked If you want to take Vincent Versace's advice and change the Platen Gap to Wider, then choose the Advanced Media Control page in the Print dialog and go to the Platen Gap list at the bottom as shown above.
Change Auto to Wider as shown above and below. You can now choose print and you should hopefully get an amazing print on Epson Exhibition Fiber paper, if you did everything properly. The Luster is a good paper, but it is a lot more flimsy than EFP. However, the Luster is much cheaper and comes in larger quantities, so I highly recommend that you use the Luster to create your test prints before loading the printer with Exhibition Fiber.
Of all the Epson papers, I still find it hard to beat the Epson Hot Press Bright review coming soon for its amazing color, detail, and wonderful substantial feel. However, this is very, very close and matte black ink is no substitute photo black in on certain subjects so which one you choose really depends on the subject. This makes it a more expensive paper, but on par with papers in the fine art classification.
Exhibition Fiber Paper is available in 8. It appears they believe strongly that no one really wants those sizes. Be sure to check it out when it is released!
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